“Gallivanting” - a sonic mix for the SALA: Instant Kalpa(s) at Thailand Biennale, Phuket 2026, Invited by Liquid Architecture
As part of the Instant Kalpa(s) exhibition at the Thailand Biennale, Liquid Architecture invites Angelita Biscotti to deliver "Gallivanting,” a sound and music mix to be played at Barbansan as part of the programs 'sonic offerings' series.
Angelita Biscotti (AUS) delivers an eerie and surrealistic sound collage with techno flourishes. An uncanny blend of gonzo field recordings from Manila (Philippines) and Naarm (Melbourne, Australia), with improvisations on guitar, bass, piano, synthesisers and electronic processing. Composition, recording and mixing exclusively by Angelita Biscotti.
i didn’t want to quiet-quit you, i don’t want to quiet-quit me
A lament for a lost future. An electronic elegy based on captured MIDI improvisations
The initial creative development for this work was accomplished with thanks to the City of Darebin Community Arts grants and SEVENTH Gallery Studio Residency in 2023
Release date: 15 May 2024
Original sound design for Ebony Rattle’s Winona (2023 season)
REVIEWS:
“A particularly stellar element of Winona was its sound design and score - composed by musician Angelita Biscotti, rich synth sounds carry emotional tension throughout the piece, throbbing with intensity… Loud and abrasive without being overbearing, Biscotti’s ability to navigate between the spectrum of intensity is enviable. Her delivery of bold, brash sounds contrasted beautifully against more subtle, droning moments, and the overall construction of the soundscape of Winona gave the work a sense of polish and professionalism. I was reminded of the scores to works such as Twin Peaks.” - Stephanie Grace, “Nothing Ever Happens in Brisbane,” 2024. Read the full review here.
“The dialogue is a tapestry of poetry, musings, reflections, and emotions with a killer soundscape, composed by Angelita Biscotti.” - Mistress of Culture Vultures, “Weekend Notes”, 2023. Read the full review here.
Winona was written directed and performed by EBONY RATTLE
what it’s like to be left (silent film)
what it’s like to be left” was a short silent film commissioned for the Multicultural Arts Victoria’s Ahead of the Curve program for Young BIPOC Artists During COVID-19, supported by The Victorian Department of Families, Fairness and Housing. Premiere at the Ahead of the Curve Launch, August 2022, Northcote Town Hall.
Credits:
Angelita Biscotti - Director, Cinematographer, Editor, Producer, Sound Designer, Composer, Writer, Actor
Dee Cat - Technical Counsel, Actor
“Anamnesia” - for the MESS PD 2024 Graduation Mix
“Anamnesia”, developed during the 2024 MESS Professional Development program, now available on the MESS Soundcloud. Texture, irregular rhythm, vintage synths, Manila public transport field recordings, ghostly vocals, queer working-class temporality.
borderline impersonality - debut EP
debut EP “borderline impersonality” (released October 2024) is available on Bandcamp and major distribution platforms.
tracks in this EP have been played in recognised music spaces such as the Playback Your Tracks night, RRR radio and Brixton Radio (B-Sides the Point).